by Chuck Jones
For May and June I am going to try to work in some blog articles on drum circles and some more on music therapy. We have been doing drum circles at our camp retreats since we started, and at first, I looked at them as thirty and as many as sixty people with drums or other sound producing instruments, sitting in a circle led by our music therapist to help break the ice and as a vehicle to introduce everyone. Later, to my amazement, I discovered that drum circles, and other types of music, have real therapeutic value and that Music Therapy is a board certified profession.
Another thing that I discovered is that there are many different kinds of drum circles and they are used for many different reasons. I'll cover the ones that I have found through research on the internet and present them as accurately as possible. There is some controversy regarding the structure and intentions of some drum circles just as there seems to be in about every aspect of life, so please forgive me if I have offended you or your version of a drum circle and know that I will work with you, if you wish, to present your version as accurately as you see it. The majority of this particular article comes from Wikipedia. As a computer user I'm sure you've heard of Wikipedia. I like using Wikipedia because their definitions are free of copyright issues, mostly accurate, and I can cut and paste them into these articles easily. You'll see my added comments as bold italics like this. Here is Wiki's definition of a drum circle.
Drum Circle
"A drum circle is any group of people playing
(usually) hand-drums and percussion in a circle. They
are distinct from a drumming group or troupe in that the drum circle is an end
in itself rather than preparation for a performance. They can range in size
from a handful of players to circles with thousands of participants.
"In 1991, during testimony before the United States
Senate Special Committee on Aging, Grateful Dead drummer Mickey
Hart stated:
'Typically, people gather to drum in drum "circles"
with others from the surrounding community. The drum circle offers equality
because there is no head or tail. It includes people of all ages. The main
objective is to share rhythm and get in tune with each other and themselves. To
form a group consciousness. To entrain and resonate. By entraining, I mean
that a new voice, a collective voice, emerges from the group as they drum
together.'"
I had to look up the word entrain to see what Mickey Hart was trying to say and the best I could figure out was he meant join.
Types of Group Drumming and Drum Circles
According to the Wikipedia definition, the term "Drum Circle" originated in the United
States during the late 1960s and early 1970s for any group of people,
particularly counterculture groups, who gather (informally) to play
music together. The terms "drum jam" or "jam session" could
be substituted. Settings include beaches, parks, concert parking lots,
festivals, and retreats. Do not confuse this definition with that of the Drum Ceremony, such as those done by Native Americans, which we all know, originated way before 1960. The determining criteria for a drum circle is that the
music is improvised and co-created by the participants. Drum circles may or may
not be open to the public, but the music is always a group expression, not
constrained by genre, instrumentation, or directed by one person or
sub-group.
In Western countries, drum circles have developed into
two main types:
Community - free-form drumming, often open to the
public and entirely improvised in-the-moment.
Facilitated or Conducted - group drumming
that is musically directed by a specific person, often called a facilitator. It is this one that more closely resembles what we do at our camps. I am planning to publish an article on this blog in the near future, written by one of our Music Therapists, that will address our drum circles as well as other forms of music therapy.
All forms of drum circles are used in a variety of settings
and applications including; team building, recreational music making, wellness,
education, celebrations, spirituality, personal growth, etc.
The Community Drum Circle
Community drum circles are informal gatherings of people who
meet for the purpose of playing drums together. They often take place in public
settings such as parks or at the beach, but may also be organized via a
community center or similar body.
Instrumentation centers around drums and
percussion, but may include other instruments, such as flutes, didgeridoos, and
other non-percussion instruments. Practically anything that can be banged on to
make noise can be used as a percussion instrument such as cans, buckets, pipes,
etc. One need not possess or purchase a drum to participate. Community drum
circles differ from facilitated or conducted drum circles in that the music is
entirely improvised through a process of group interaction.
There may be a facilitator or moderator who acts to shape the experience through discrete actions, such as helping to maintain a steady beat, helping those who need it, and generally managing the environment to see that everyone is able to participate fully. The participants make up the music as they go along, using their listening and playing skills to make musical connections and express themselves in any and all ways that feel right. Participation is voluntary and often includes drumming, singing or chanting, dancing, and listening.
Community drum circles often attract both regular and drop-in participants of all ages and can take place just about anywhere. Community drum circles are the original and most popular form of improvised community drumming.
There may be a facilitator or moderator who acts to shape the experience through discrete actions, such as helping to maintain a steady beat, helping those who need it, and generally managing the environment to see that everyone is able to participate fully. The participants make up the music as they go along, using their listening and playing skills to make musical connections and express themselves in any and all ways that feel right. Participation is voluntary and often includes drumming, singing or chanting, dancing, and listening.
Community drum circles often attract both regular and drop-in participants of all ages and can take place just about anywhere. Community drum circles are the original and most popular form of improvised community drumming.
The Facilitated or Conducted Drum Circle
A "facilitated" drum circle is a form of group
drumming in which a person seeks to focus the intent and improve the quality
and effect of the activity, making it easier for people to effectively
participate by taking a more directive approach. The facilitator (leader) takes
responsibility for the physical space, arranging chairs and instruments to
optimise communication and connection in the group. He or she may provide a
range of instruments to create a full and balanced percussion orchestra. In
this way, the experience can be thought of as a "standardized drumming
circle," as opposed to the more free-flowing and open community drum
circle.
The facilitator is constantly monitoring the music in the group, and generally being encouraging and accepting of participant ideas. In this way, the facilitator takes on a role similar to that of a music teacher or drumming instructor whose goal it is to empower the participants and encourage them to share their ideas. At the beginning the facilitator directs the music through verbal and non-verbal cuing. Cues, which often mirror the movements of an orchestral conductor, are directed at the participants, who respond to the leader. This creates a leader/follower dynamic between the facilitator and participants. Actions such as rolling (rumbling), starting, stopping, raising/lowering the volume, accents, and when to play/not play are often given by the facilitator.
Conducting is not normally part of a traditional (community) drum circle, and therefore makes this type of circle a unique experience and very different from a community circle. Facilitators with training and experience in other areas and professions, such as music education, music therapy, and corporate training, may use a range of tools and approaches that enable them to work with diverse populations. These types of experiences are more accurately referred to as 'drumming programs,' rather than drum circles, in the traditional sense.
Contrary to that last statement, at our camp retreats, we do refer to the group as a drum circle and we do use only board certified music therapists as facilitators.
The facilitator is constantly monitoring the music in the group, and generally being encouraging and accepting of participant ideas. In this way, the facilitator takes on a role similar to that of a music teacher or drumming instructor whose goal it is to empower the participants and encourage them to share their ideas. At the beginning the facilitator directs the music through verbal and non-verbal cuing. Cues, which often mirror the movements of an orchestral conductor, are directed at the participants, who respond to the leader. This creates a leader/follower dynamic between the facilitator and participants. Actions such as rolling (rumbling), starting, stopping, raising/lowering the volume, accents, and when to play/not play are often given by the facilitator.
Conducting is not normally part of a traditional (community) drum circle, and therefore makes this type of circle a unique experience and very different from a community circle. Facilitators with training and experience in other areas and professions, such as music education, music therapy, and corporate training, may use a range of tools and approaches that enable them to work with diverse populations. These types of experiences are more accurately referred to as 'drumming programs,' rather than drum circles, in the traditional sense.
Contrary to that last statement, at our camp retreats, we do refer to the group as a drum circle and we do use only board certified music therapists as facilitators.
Other forms of drumming that are related to drum circles
include
- "Guided Interactive Drumming" - highly structured
drumming-based
programs that are led by an individual or group
to reach non-musical goals.
- "Drum Classes" - education-based drumming for the purposes of
- "Drum Classes" - education-based drumming for the purposes of
building musical skills and knowledge.
- "Drum Ensembles" - performance-oriented drumming groups who
- "Drum Ensembles" - performance-oriented drumming groups who
practice and perform music on drums, often for dance.
- "Clinical Improvisation" - a drumming group within a Music
- "Clinical Improvisation" - a drumming group within a Music
Therapy
session, led by a certified Music Therapist. (I
highlighted this one because it also refers to what we do at
our camps.)
highlighted this one because it also refers to what we do at
our camps.)
Group Drumming with a Spiritual focus
Neotribalism
Is an inclusive way of life that is focused on creating a
positive enhancement of self of identity while enforcing a no harm to the
collective group attitude. Neotribalism belief system is evident in the music
of Neotribalism; the postmodern drum circle where the only leader is the
preservation of the groove or music consciousness. This development of musical
consciousness takes the participation of the individual to create a collective more
powerful and beautiful display of sight and sound. "In beat, life begins
and it is only the maintenance and sacred keeping of the beat that life will
endure".
Neopaganism
Neopagans have created another type of drum circle. At Neopagan festivals,
people gather around a large bonfire, the drummers generally sitting on
one side to encourage better listening. The musicians sit together and play
while dancers dance and circle around the fire. Often, those present will stay
and play throughout the night until dawn, treating the evening as a magical (or
alchemical) working. Sound is not limited to drumming alone; there is also
chanting, singing, poetry, and spoken word pieces. This type of drum circle is
not usually facilitated.
Shamanic Drumming Circles
This type of circle tends to center around Native American
Cultural Drums and rattles but is primarily focusing on the spiritual rather
than the musical aspects of the culture. They are a facilitated ceremony but the leader is facilitating a shamanic journey
type process rather than a musical event. Shamanic drumming is generally simple
and repetitive, often considered as a form of prayer or method of trance induction,
rather than as music or entertainment. During a shamanic trance or shamanic
journey, the shaman uses the steady beat of the drum as a "lifeline"
to find the way back to the world of ordinary consciousness. Note that in these
cultures, the term "Drum Circle" would certainly not be used. Rather,
the terms 'drumming ceremony" or "ceremonial drumming" would be
more accurate.
Medicine Wheel Drumming and Prayer Ceremony
This description is really not of a drum circle either, in the sense that the term is commonly used. It is a drumming ceremony that takes place in a circle, but very different in content and form than a drum circle (improvised community drumming jam). This type should probably be listed under shamanic or spiritual drumming and not under drum circles.
This description is really not of a drum circle either, in the sense that the term is commonly used. It is a drumming ceremony that takes place in a circle, but very different in content and form than a drum circle (improvised community drumming jam). This type should probably be listed under shamanic or spiritual drumming and not under drum circles.
Practiced by various groups, and outlined step by step in
the book, "Finding Sanctuary in Nature: Simple Ceremonies in the Native
American Tradition for Healing Yourself and Others," by Jim PathFinder
Ewing (Findhorn Press, Scotland, 2007), (page 147), "the medicine wheel
drum circle prayer ceremony" recognizes the four directions—east, south,
west, north—as spiritual Powers that can help balance and heal. The ceremony
has four rounds, with drumming by all participants at the instruction of the
leader allowing the energy of each direction in each round to come into the
circle to facilitate prayers and healing. It has been described as "like a
sweat lodge without the sweat" (page 148, Finding Sanctuary). Ewing held
these ceremonies each month for seven years, as outlined in the book, in
addition to shamanic drum circles, and at various sites from coast to coast in
the United States since the late 1990s.
Groups based on his example and the instructions outlined in the book have resulted in other groups forming worldwide.
I have experienced a version of this one, first hand, at a local Native American Christian church. Their drum ceremony is very spiritual and uplifting. I was impressed. This one differs from the Shamanic one in that trance inducing is not part of the ceremony, instead, the drum is used to offer praise and prayer to God the Great Spirit and Creator.
Groups based on his example and the instructions outlined in the book have resulted in other groups forming worldwide.
I have experienced a version of this one, first hand, at a local Native American Christian church. Their drum ceremony is very spiritual and uplifting. I was impressed. This one differs from the Shamanic one in that trance inducing is not part of the ceremony, instead, the drum is used to offer praise and prayer to God the Great Spirit and Creator.
The Growth of Drum Circles
Commercial drum circle groups and companies exist in most
countries to serve various markets. There is also a growing body of people
working in places such as hospitals, prisons, and hospices using drumming as a
form of recreational and supportive music making. Music therapists often use
various forms of group drumming (including improvised drumming) in their work
to reach therapeutic goals and objectives.
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